![]() ![]() In her book “ Salvador Dalí, visto por su hermana“, Ana-Maria wrote: “The portraits that my brother painted of me during this period are innumerable. It was shown on Dalí’s first one-man exhibition, in Barcelona at the Dalmau Gallery in November 1925. This one, larger and on canvas, is considered as one of the most beautiful. Source: Leave a comment Posted in 1925, Analysis, Painting Tagged Dali's sister, Life scene, Painting 0158-Figure at a window (1925)Īnalysis: 1) As a youth, Dalí did numerous portraits of his sister, Ana-Maria, often painted on copper and very small in size. The curve of the girl’s naked shoulder accents the lines and corners of the buildings. The distant hills to the right of the picture repeat the exact color of her skin. The golden-brown of the girl’s skin contrasts with the white of the rectangular buildings that stand in the sun ahead of her. This viewpoint, while lending the picture an air of intrigue, ensures that the viewer’s eye is drawn, like the girl’s, to the landscape ahead. As with “ Figure at a Window”, Dalí has painted Ana Maria from the rear so that her face is not seen. The painting is almost Classical in style it is simple and harmonious in content and form, harking back to an earlier period of art that was in revival at the time. Seated Girl was included in Dalí’s first solo exhibition at the Dalmau Gallery in Barcelona in 1925, where it was viewed favorably by Pablo Picasso, who Dalí was to meet in Paris the following year. She was also the model for “ Figure at a Window“. The girl in the painting is Ana Maria, Dalí’s younger sister. This blue is repeated in the shimmering blue-black hair of Ana Maria.Īnalysis: “ Girl from the Back” was painted in 1925, using oil on canvas. The blue color of the distant mountains and of the sky contrasts with the sunlit stone of the buildings to capture the viewer’s eye. The balcony overlooks the town of Figueras, Dalí’s home town. As with other paintings of Ana Maria at this time, she is turned away from the viewer so that her face can not be seen. The painting by the seventeenth-century Dutch painter Jan Vermeers, became an obsession with Dalí during the Fifties.Īna Maria sits sewing on a balcony. Due to the subject of the “ The Girl of Figueras“, the painting can be seen as an early attempt by Dalí to re-work “ The Lacemaker“. The woman in the painting is Ana Maria, as was usual during this period. ![]() The “ Portrait of my Father“, painted a year earlier, shows similar strong lines and structure of form both figures in these paintings are depicted with a solidity of presence. Click on the image for a large view and detailsĪnalysis: Although Dalí did not date the “ The Girl of Figueras“, it was probably painted in 1926, as the style, both of the brushwork and the content, are comparable to other paintings of this period. ![]()
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